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It was, very much, Kigawa’s recital – not Boulez’, not Ligeti’s. The force of personality might have gotten in the way had the flair on pianoforte not been so strong. 

The Musikfest Berlin presented their own ‘Hommage’ to Boulez with his complete works for piano performed by Pierre-Laurent Aimard and Tamara Stefanovich.

The first performance of the BBC Symphony Orchestra's Total Immersion Day: Pierre Boulez at 90 featured the composer's Piano Sonata no. 2 and Éclat/Multiples.

London, along with a large portion of the world, spent most of summer 2012 in awe of an elite group of athletes, cheering on their every move as they undertook a series of arcane but technically demanding tasks in public.

In an exhilarating finale, Italian pianist Maurizio Pollini’s fascinating series at the Royal Festival Hall, ‘The Pollini Project’, closed with a concert focusing on the music of Chopin, Debussy and Boulez. This was meant to be the penultimate concert in the series, but was rescheduled due to ill health.

À la Fondation Vuitton, le pianiste propose un programme audacieux ficelé autour de l’Italien Sciarrino, du Britannique Thomas Adès, de Neuburger en personne, pour finir avec la figure tutélaire de Boulez.