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Tenebrae transforms the Elbphilharmonie into a living instrument, exploring centuries of choral music through spatialised sound, Pärt’s tintinnabuli, Renaissance masterpieces and contemporary innovations in a vivid acoustic experiment.

From the oppressed Catholic minority of 16th-century England to contemporary settings, The Gesualdo Six bring their Wishing Tree programme to Auckland. 

The Sixteen enchant the audience in Sydney with an intelligently-created programme of British composers.

In a celestial choir-off, one could imagine the Tallis Scholars giving the Seraphims and Cherubims a run for their money.

The Tallis Scholars have been one of the foremost Renaissance vocal ensemble since their inception forty years ago. This was the ensemble’s first visit to New Zealand (organised by Chamber Music New Zealand in partnership with the New Zealand Choral Federation and Dean Endowment Trust) and the performance quality made it worth every minute of the forty year wait.

The British vocal ensemble Stile Antico made an appearance in Cleveland on Friday evening, 11 October, at the Cathedral of St John the Evangelist, as part of their current American tour to perform a brilliant live rendition of their most recent album The Phoenix Rising.

In my notes for this evening’s concert by Renaissance, a chamber choir founded by the young singer, conductor and composer Ben Rowarth, one word kept recurring – “thoughtful”. This was a programme that had been carefully put together, and which was performed without any unnecessary flashiness or attempts to impress.