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Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

A balance of classical, contemporary and folk dance, showed off the versatility of The Royal Ballet School's students at every stage of their training and the results were extremely pleasing.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

A mixed bill of modern work showcases the diverse talents of The Royal Ballet.

Changes in pace for a brilliantly dynamic company.

The Royal Ballet revives Kenneth MacMillan’s The Invitation, to great public acclaim and with excellent performances in the main roles. The programme also features McGregor's new Obsidian Tear and Wheeldon's Within the Golden Hour.

Wayne McGregor pulls together a stellar all male cast for the Royal Ballet's world première of hisnew work, Obsidian Tear. 

The Royal Ballet premieres Christopher Wheeldon's Strapless, and performs two other ballets by the choreographer for the first time.

It must be exciting to be a member of San Francisco Ballet, America’s oldest ballet company, founded in 1933. These classically trained dancers are given the opportunity to sample many wonderful new works, rather than a repertoire of old traditional masterpieces.

Avec son programme O ,le San Francisco Ballet nous propose un parcours chorégraphique émaillé d’œuvres désormais inscrites dans la tradition de la danse et de chorégraphies plus récentes.