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Three contrasting 20th-century masterworks were judiciously crafted and insightfully honed by the Orchestre Symphonique of Montreal and their music director Kent Nagano.

Birtwistle’s Responses poses more questions than it answers, but Aimard’s Messiaen was a triumph. 

Joanna MacGregor's 'Exotic Birds', in an imaginatively programmed Auckland Philharmonia concert, gets our reviewer all aflutter.

It wasn’t only Mitsuko Uchida’s hands that were agile. Her arrival on stage was accompanied by the deepest bow imaginable, bending from the waist until she resembled a tuning fork. Such Japanese formality was paired with a warm, glowing smile and a real connection with players and audience alike.

Le programme choisi par Sir George Benjamin pour le DSO nous plonge dans les théories modernes de l’utilisation du son orchestral, de Paul Dukas à Benjamin lui-même, avec le concours efficace de Cédric Tiberghien.

Jurowski treibt in der Rolle des Hoffmann’schen Kapellmeistersdie Musiker des RCO mit teuflischem Spaß zu immer mehr virtuosem Schabernack an.