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Passion and precision: Aimard plays Schoenberg and Ives

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Berlin

Passion and precision: Aimard plays Schoenberg and Ives in Berlin

Par David Grundy, 02 septembre 2024

Revolutionary music, a century on: Pierre-Laurent Aimard excels in Schoenberg and Ives.

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Violence, trauma and polyphony: Saariaho’s Innocence comes to Amsterdam

Par David Grundy, 07 septembre 2023

Dramatising the aftermath of a mass shooting in Finland, Innocence explores violence, trauma and collective responsibility. Co-librettist Aleksi Barrière speaks about one of Kaija Saariaho’s last major works.

Trauma and polyphony: Saariaho’s Innocence comes to Amsterdam

07 sept. 2023

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The weight of memory: the music of Krzysztof Penderecki

Par David Grundy, 28 juillet 2023

With an output ranging from dense sound clusters to romantic oratorios, Penderecki’s music is remarkably diverse – and throughout is redolent with the trauma and memory of the 20th century.

The weight of memory: the music of Krzysztof Penderecki

28 juil. 2023

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Music boxes, walkie-talkies and the plantation machine: Hannah Kendall

Par David Grundy, 06 mars 2023

Inspired by grime, Jean Michel Basquiat, and the legacies of colonialism, composer Hannah Kendall talks about how music is always about more than just music.

Music boxes, walkie-talkies and the plantation machine: Hannah Kendall

06 mars 2023

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“It should belong to all of us”: Detlev Glanert’s Prague Symphony

Par David Grundy, 16 novembre 2022

The German composer discusses the long awaited world premiere of his new work Prague Symphony with the Czech Philharmonic, which sets fragments of Franz Kafka for two singers and orchestra.

“It should belong to all of us”: Detlev Glanert’s Prague Symphony

16 nov. 2022