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Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.
We spoke to Japanese composer Dai Fujikura about his new opera, based on a short story by H.G. Wells, and the concerto he wrote inspired by the piano of a young girl who perished in Hiroshima.
New National Theatre Tokyo's new staging of Donizetti's jolly Don Pasquale, in Stefano Vizioli's classic production, featured some sparkling vocal performances from a fine cast.
For any opera house, the production of a new Wagner Ring cycle is a huge undertaking and becomes a mission statement. For Finnish National Opera, its mission is to stage an all-Finnish Ring.
During Henry Wood’s Prom years, Wednesday was Bach Night. To commemorate the 150th anniversary of his birth, the Proms revived this tradition in the final week with a couple of modern twists.
Polish-born composers Grażyna Bacewicz and Mieczysław Weinberg have not been part of the so-called “musical canon”, but in recent decades we have been fortunate to witness a revival in their music.
Alex Ollé focuses in the princess's trauma to provide a back story for Puccini’s problematic last opera; Eri Nakamura captivates the New National Theatre audience.
Birthday concerts are strange things. If a hall is going to celebrate your birthday, you'd want to be in the audience and have some of your favourite musicians entertain you.
There are multiple ways of approaching Bach's Mass in B minor, from the one-to-a-part advocated by Joshua Rifkin to a more conventional large choral approach, and everything in between.
As the culmination of Muti's Italian Opera Academy in Tokyo, the maestro conducted a model performance of selected excerpts from Rigoletto in the main hall of Tokyo Bunka Kaikan.
Yomiuri Nippon Symphony Orchestra's Sunday matinee, which was the final concert for its outgoing Principal Conductor Sylvain Cambreling, had many French connections.
Thanks to the dedicated work of scholars and practitioners in the field, in the last decade, audiences in London have become relatively familiar with the music of female composers in the Baroque period.
It is a well-known fact that Beethoven's Septet was one of his most popular works during his lifetime. What is lesser known is that Carl Czerny, his pupil, made a version for wind sextet.
If you like your Schumann symphonies the old fashioned way with lush, sonorous strings and heroic horns and brass, then Thielemann and the Staatskapelle Dresden are for you.
How do violinists devise their recital programmes? The conventional format has been to choose a violin sonata from each musical era, or to focus on a particular composer or national style.
As the 18th edition of the Tokyo International Competition for Conducting approaches, we speak to Hisao Kondo, Chairperson of the Organising Committee.
