Trouver des articles | Hazel Rowland

Sakari Oramo prend les rênes de cette dernière nuit des Proms, aux côtés de l'éblouissante violoniste Janine Jansen et du BBC Symphony Orchestra.

Simon Rattle and the Berlin Philharmonic give a unique and hugely poignant performance of Bach's St Matthew Passion, staged by Peter Sellars.

A ravishing performance from the Myung-Wung Chung Seoul Philharmonic for the orchestra's BBC Proms première.

Jac van Steen and the Ulster Orchestra attempt to entice new audiences to classical music, with mixed results.

Pianist Louis Schwizegebel's captures Mozart's subtlety. But the same virtue was sorely missing in Strauss' profound Metamorphosen.

An unrepeatable performance of Britten's profound choral masterpiece, the War Requiem, conducted by Andris Nelsons at the Proms.

Under the baton of Sir Andrew Davis the Melbourne Symphony Orchestra perform for the first time at the BBC Proms, with mixed results.

Thierry Fischer and the BBC National Orchestra of Wales presented an eclectic programme, with an exciting première by Simon Holt and the many different facets of 20th century French orchestral music.

The BBC Philharmonic's chief conductor Juanjo Mena and violinst Tamsin in an astonishing performance of Moeran's Violin Concerto. Mena also brings his own interpretation of Elgar's Enigma Variations.

Valery Gergiev and the LSO present a concert of two halves: an awkward Brahms Piano Concerto, but a thrilling Janáček Glagolitic Mass.

Valery Gergiev conducts the unique World Orchestra for Peace in a devastating perfomance of Mahler's Sixth Symphony at the BBC Proms. A Strauss rarity and a European premier were programmed alongside.

The China Philharmonic Orchestra and Long Yu made their BBC Proms première, the concert's rather jumbled programme producing mixed results.

There is apparently no reason for young people not to give opera a try. The Royal Opera House sells £10 student standby tickets, as well as advance booking for cheap standing or slip tickets.

The Bennewitz Quartet perform works by the Viennese masters Schubert and Webern, and by their Czech compatriot Dvořák, with varying degrees of success.

Pieter Wispelwey engaged his Wigmore Hall audience with explanatory talks during this concert devoted to Britten's Cello Suites.

With a last-minute change of conductor from the excitable Andris Nelsons to the more reserved Jac van Steen, one might have forgiven a not exactly revolutionary performance. Last night’s concert was meant to be the first half of Nelsons’ Brahms cycle with the Philharmonia in the Sheldonian Theatre, part of Music at Oxford’s series, but illness unfortunately prevented him from performing.

It is difficult not to notice the youthfulness of the face greeting us on stage (especially in comparison to the, shall we say, more weather-worn ones in the audience). But Benjamin Grosvenor has come a long way from the eleven-year-old that won the BBC Young Musician of the Year piano final in 2004.