| dimanche 13 décembre 2026 | 18:30 |
| Honey, Paul | Pierrepoint: In the Balance (world première) | |
| Fauré, Gabriel (1845-1924) | Requiem, Op.48 |
| National Symphony Orchestra (UK) | |
| Locrian Singers | |
| Jonathan Darbourne | Direction |
| Johnny Herford | Baryton |
| Will Prior | Contre-ténor |
| Myrna Tennant | Mezzo-soprano |
| Edward Woodhouse | Ténor |
Pre-Concert Talk
Sunday 13 December 2026 | 6.30-7.15 pm
Join us before the performance for a special pre-concert discussion exploring the story behind Pierrepoint: In the Balance and the historical and ethical questions surrounding the execution of Ruth Ellis.
Chaired by David Olusoga, the panel features Laura Enston, Ruth Ellis' granddaughter, speaker, advocate and campaigner; Kerry Moscogiuri, CEO of Amnesty International; composer Paul Honey; and librettist Gregory Warren Wilson.
The talk is followed by the concert performance at 7.30 pm.
Pierrepoint: In the Balance
Sunday 13 December 2026 | Performance at 7.30 pm
Pairing the premiere of composer Paul Honey’s dramatic oratorio Pierrepoint: In the Balance with Gabriel Fauré’s timeless Requiem, this is a compelling programme that explores themes of mortality, justice and absolution.
With a libretto by Gregory Warren Wilson, Honey’s engrossing work takes place during the tense, claustrophobic night in 1955 before the execution of Ruth Ellis, the last woman to be hanged in the United Kingdom. 2026 marks the centenary of Ellis’ birth and last July, Charles III granted her a conditional pardon, formally acknowledging the profound injustice of her execution.
The work imagines the psychological weight bearing down on her executioner, Albert Pierrepoint, as he makes his preparations. Pierrepoint later declared that his lifetime’s work had never prevented a murder.
Following this intense moral reckoning, Fauré’s Requiem offers a profound emotional shift. Where Honey’s oratorio confronts the stark reality of state-sanctioned killing, Fauré’s luminous masterpiece provides a serene space. Moving away from judgment, its peaceful, comforting setting serves as a transcendent prayer for the departed soul.
Seating information: Due to the size of the orchestra, rows CC-FF of the standard layout will not be in place, allowing more space for the performers. Rows AA and BB are at the front on the flat floor, followed by tiered seating in row GG and rows A-F.
