Bachtrack logo
Agenda
Critiques
Articles
Actualités
Vidéo
Site
Jeunes artistes
Voyage

Événement diffusé en streaming et à la demande: IolantaNouvelle production

Regardez en ligne sur operavision.euOperaVisionEnregistré à Grand Théâtre, Bordeaux, France
Vidéo gratuite
Dates/horaires selon le fuseau horaire de votre navigateur
vendredi 14 novembre 202520:00
À la demande du vendredi 14 novembre 2025 20:00 au jeudi 14 mai 2026 12:00
Artistes
Opéra National de Bordeaux
Pierre DumoussaudDirection
Stéphane BraunschweigMise en scène, Décors
Thibault VancraenenbroeckCostumes
Marion HewlettLumières
Orchestre National Bordeaux Aquitaine
Chœur de l'Opéra National de Bordeaux
Salvatore CaputoChef de chœur
Claire AntoineSopranoIolanta
Ain AngerBasseKing René
Julien HenricTénorVaudémont
Vladislav ChizhovBarytonRobert
Ariunbaatar GanbaatarBarytonIbn-Hakia
Abel ZamoraTénorAlméric
Ugo RabecBasseBertrand
Lauriane Tregan-MarcuzMezzo-sopranoMartha
Franciana NoguesSopranoBrigitta
Astrid DupuisMezzo-sopranoLaura

A young blind princess, sheltered from the world by her father, lives hidden away from the world in a magical garden. Should she be told that she is blind? Could love help her to see the world differently?

In 1890, the Imperial Theatres in St Petersburg commissioned Tchaikovsky to write a two-act ballet, NucrackerIolanta is the one-act opera he wrote to complete the evening’s double-bill. Human drama always inspired Tchaikovsky, and lolanta has drama and a message about the healing power of love. Iolanta  herself - another of his young, vulnerable heroines - captured his creative heart and inspired his best music in the opera.  Streamed live on OperaVision, Opéra national de Bordeaux’s new production is directed by Stéphane Braunschweig who uses light to create a poetic journey of initiation. ‘As Iolanta ends with a gaze turned towards the heavens and a song of glory to the divine light,’ writes Stéphane Braunschweig, ‘I see a sort of holy communion or a desire for reconciliation with the world. In my opinion, this is what gives this opera its depth, which, beneath its appearance of simplicity, conceals the dazzling beauty of a masterpiece.’