Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hongrie
Dates/horaires selon le fuseau horaire de Budapest
samedi 13 septembre 2025 | 18:00 |
jeudi 18 septembre 2025 | 18:00 |
vendredi 19 septembre 2025 | 18:00 |
samedi 20 septembre 2025 | 18:00 |
dimanche 21 septembre 2025 | 11:00 |
Programme
Mozart, Wolfgang Amadeus (1756-1791) | Les Noces de Figaro (Le nozze di Figaro) | Livret de Lorenzo Da Ponte |
Artistes
Opéra d'État hongrois | ||
Gregory Vajda | Direction | |
Judit Galgóczy | Mise en scène | |
Attila Csikós | Décors | |
Nelly Vágó | Costumes | |
Orchestre de l'Opéra d'État hongrois | ||
Chœurs de l'Opéra d'État hongrois | ||
Chœurs d'enfants de l'Opéra d'État hongrois | ||
András Nádasdy | Chorégraphie | |
Gábor Csiki | Chef de chœur | |
Azat Malik | Baryton-basse | le Comte Almaviva |
Andrea Brassói-Jőrös | Soprano | le Comte Almaviva, la Comtesse Almaviva |
Natália Tuznik | Soprano | la Comtesse Almaviva |
Bence Pataki | Basse | Figaro |
Csaba Sándor | Baryton-basse | Figaro |
Boglárka Brindás | Soprano | Suzanne (Susanna) |
Rita Rácz | Soprano | Suzanne (Susanna) |
Vivienne Ortan | Mezzo-soprano | Chérubin (Cherubino) |
Zsófia Kálnay | Mezzo-soprano | Chérubin (Cherubino) |
András Kiss | Baryton | le docteur Bartolo |
István Rácz | Basse | le docteur Bartolo |
Anna Csenge Fürjes | Mezzo-soprano | Marceline (Marcellina) |
Mária Farkasréti | Soprano | Marceline (Marcellina) |
Botond Pál | Ténor | Don Curzio |
Attila Erdős | Basse | Don Basilio |
Boldizsár Zajkás | Basse | Antonio |
Anija Lombard | Soprano | Barberine (Barbarina) |
Standing at the centre of this opera relating, with scintillating wit, the chaotic events of the "day of madness" and a wedding nearly gone up in smoke are the already familiar and clever barber from Seville and his spirited love, Susanna. But there is also much, much more... Human emotions, desires, dreams and disappointments, which Mozart's balanced and ornate music depicts not only with irony, but also with humanity.
Judit Galgóczy's direction focuses on the dynamic and pulsating game of everyone appearing different to what they are and desiring something other than what they have. On the stage, everything is alive, pulsing and moving, as the music swells forth...