Bachtrack logo

Artiste: Rita Rácz

Live EventsEn voir plus...

BudapestAdams: Nixon in China

© No credit
Adams: Nixon in China
Gregory Vajda; András Almási-Toth; Opéra d'État hongrois; Sebastian Hannak; Richárd Marton; Orchestre de l'Opéra d'État hongrois

BudapestPuccini: La bohème

© No credit
Puccini: La bohème
Martin Rajna; Kálmán Nádasdy; Sámuel Csaba Tóth; Gusztáv Oláh; Gergely Boncsér; Andrei Danilov

BudapestMagnificat / Messiah

© No credit
Bach, Haendel
Orchestre de l'Opéra d'État hongrois; Benjamin Bayl; Rita Rácz; Andrea Brassói-Jőrös; Atala Schöck; Tibor Szappanos

BudapestPoldini: Love Adrift

© No credit
Poldini: Hochzeit im Fasching (Love Adrift)
Sándor Szabolcs; András Almási-Toth; Opéra d'État hongrois; Balázs Fügedi; Márk Kiss; Orchestre de l'Opéra d'État hongrois; Chœurs de l'Opéra d'État hongrois

BudapestVerdi: RigolettoVersion de concert

© No credit
Verdi: Rigoletto
Leonardo Sini; Opéra d'État hongrois; Orchestre de l'Opéra d'État hongrois; Chœurs de l'Opéra d'État hongrois; Alexandru Agache; Michele Kalmandy

BudapestWagner: ParsifalVersion de concert

© No credit
Wagner: Parsifal
Péter Halász; Opéra d'État hongrois; Orchestre de l'Opéra d'État hongrois; Chœurs de l'Opéra d'État hongrois; Michele Kalmandy; Károly Szemerédy
Critiques récentesEn voir plus...

Fine voices, staid production: Rigoletto at Hungarian State Opera

Zita Szemere (Gilda) and Attila Mókus (Rigoletto) © Valter Berecz | Hungarian State Opera
Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

Sumptuous revival of Arabella at Hungarian State Opera

Polina Pasztircsák (Arabella) and Csaba Szegedi (Mandryka) © Attila Nagy | Hungarian State Opera
Hungarian State Opera revives their mostly period production of Strauss' Arabella with star turns by sopranos Polina Pasztircsák and Laura Topolánszky.

Znaniecki's directorial success in Budapest

Polish opera director Michał Znaniecki created a new version of Zoltán Kodály’s 1927 The Spinning Room, a short one-act which is basically a collection of 21 Hungarian folksongs that Kodály had selected from the Székely region.

Sándor Zsóter takes brave aim but misses the mark

Any director taking on Weber’s Der Freischütz faces big challenges. Sándor Zsóter’s production for the Hungarian State Opera takes risks, with very mixed results.