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Il trovatore proves a masterpiece even without staging
In a reduced concert performance of Il trovatore the drama unfolds with the force of music alone.
Macerata's Don Giovanni: a yellow cab to hell
Livermore's staging implies two different storylines – do we only see the result of Don Giovanni's hallucinations?
Svoboda’s “Traviata of the Mirrors” returns to Macerata
Svoboda’s mirrors continue to provoke interesting considerations. Titled above the stage, they project a birds-eye-view of the action to the audience, making voyeurs of us all.
L'elisir d'amore finds an ideal setting at Macerata
With unbridled imagination, Michieletto fills this usually-problematic space with a wealth of racy detail.
Vick's new Magic Flute opens the Macerata festival
The Magic Flute's roots in popular theatre come through most strongly throughout Vick's production, which sparkles with a wealth of witty detail. But treatment of the work's socio-political undercurrents doesn't work nearly as well.
Bel canto bliss: Norma at the Macerata Opera Festival
For such a young conductor of unassuming stature, Gamba exudes surprising authority, bringing off players with a swipe and reaching out far from the pit to coordinate distant chorus members.