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Guide to the Ferruccio Busoni International Piano Competition

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64th Busoni Competition

The 64th Busoni Competition will take place between 7 and 16 November 2022 (preliminaries known as Glocal Piano Project) and from 23 August to 3 September 2023 (finals). The Glocal Piano Project will take place in different cities worldwide and can be followed via online streaming on our website. An international jury will choose those candidates, that will take part in 2023 in the finals in Bolzano, Italy.

Process of the competition

In 2020, the Busoni Piano Competition, one of the world’s oldest events for young pianists seeking to kick-start a career, had to reinvent the format of its preliminary stages under the pressure of the pandemic. The ingenious solution to the problems caused by travel restrictions was this to hold the first Glocal Piano Project in 22 locations in Europe, Asia, North America and Australia. Due to the success of this new approach, being both logistically efficient and giving more young participants greater exposure to a global audience, the format will be kept in the future: In November 2022, the second edition of the Glocal Piano Project will be staged in various locations around the globe. In summer 2023 the competition will conclude in two solo stages, chamber music and a concerto with full orchestra at the finals. During it's last edition the Busoni, based in Bolzano, Italy, its long-time home since 1947, attracted a respectable 506 registrations and 93 participants.

For more information click here to visit the website of the Ferruccio Busoni International Piano Competition

Fichier de données
Date limite22 janv. - 05 mai 2022
Concours23 août - 03 sept. 2023
LieuBolzano, Italie
Ages des concurrents:16 to 30 years old
Competition prizes

1st prize: € 22,000; 2nd prize: € 10,000; 3rd prize: € 5,000; 4th prize: € 4,000; 5th prize: € 3,000; 6th prize: € 2,500
Special prizes: the competition arranges various prize winner concerts in the 2 years following the competition. 

Looking back at the 2021 competition

The Ferruccio Busoni International Piano Competition was launched on September 12th, 1949. It immediately captured the attention of the contemporary music scene, due in part to the presence of an extraordinary Honorary Committee, which included Claudio Arrau, Wilhelm Backhaus, Alfred Cortot, Walther Gieseking, Dinu Lipatti, Arthur Rubinstein and Arturo Benedetti Michelangeli, who made a considerable sum of money available for the second prize. From a one-off competition, it would soon become an indispensable annual event.

In that first competition of 1949, the just-18 Alfred Brendel earned an honorable fourth prize. In 1952 the Busoni Prize (which at the time consisted of a sum of 500,000 lire, 15 concerts and a Schulze & Pollmann grand piano) was awarded to the Roman pianist Sergio Perticaroli. In 1956, First Prize was awarded to Jörg Demus; the following year it went the extraordinary sixteen-year-old Martha Argerich. A piano-composition competition also took place in some years: the performance of fourteen-year-old Maurizio Pollini aroused amazement in 1956, when he replaced Giorgio Vidusso in the difficult task of performing the works chosen by the jury at the very last moment.

In the 1960s, European pianism opened up to the U.S. school with First Prize going to Jerome Rose (1961), Michael Ponti (1964), Garrick Ohlsson and Richard Goode (First and Second Prize, respectively, in 1966), Ursula Oppens (1969). In the 1970s the First Prize of Brazilian Arnaldo Cohen (1972) stands out, while in the eighties Louis Lortie (1984) and Lilja Zilbernstein (1987) were unanimously awarded First Prizes, which launched great careers. The Russian school dominated the 1990s, with wins by Anna Kravtchenko (1992), Alexander Shtarkman (1995) and Alexander Kobrin (1999). In 2002 the competition changed structure, inaugurating its biennial structure. With the last Busoni Prize awarded to Emanuil Ivanov (2018/2019) the next Grand Prize that will enrich our Hall of Fame is awaited with baited breath.

Today, the Busoni Competition is much more than a piano competition. Building on its history the competition aims, through its many special projects and its festival, to create and develop a real platform for contact between teachers and young people, continuing its role as seismograph of contemporary musical life.