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From Henry Purcell to George Benjamin, a set of ten operas to demonstrate that English is not just a language for prose and poetry, but also a vibrant language for opera.

In residence in Manchester with the Hallé, Thomas Adès talks about recent pieces Aquifer and Wreath, and how bigness and smallness are never exactly quantifiable.

Wayne McGregor’s ambitious ballet based on The Divine Comedy, with a commissioned score by Thomas Adès, is finally receiving its complete premiere – exactly 700 years after Dante’s death. The choreographer talks to Sarah Kirkup about the intricate process behind this multi-arts collaboration.