En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Wolfe

Les Berliner Philharmoniker ont donné deux créations mondiales de Lisa Streich et Julia Wolfe. Une expérience musicale intense, où contrastes et émotions se mêlent dans une beauté résolument rebelle. 

Audiences drawn in by Yuja Wang's performance of the Ravel Piano Concerto are also treated to Julia Wolfe and Arturo Márquez.

John Storgårds conducts Wolfe and Prokofiev in the season opening concert, before a magnificent Tchaikovsky Fifth Symphony. 

Yannick Nézet-Séguin smartly surrounds a guaranteed crowd-pleaser – Brahms’ First Piano Concerto – with less familiar works by Julia Wolfe and Louise Farrenc. 

Guest conductor David Robertson led ponderous accounts of the "Pastoral" Symphony and Haydn's Cello Concerto no. 1, alongside a new work by the promising American composer Reena Esmail.

Jaap van Zweden conducts the world premiere of Julia Wolfe's multimedia event unEarth, a reflection on the climate crisis, forced migrations and changing seas. 

Steve Reich and Julia Wolfe feature in Colin Currie Quartet's Full Dark Ride at London's Kings Place, to launch the “Sound Unwrapped” extravaganza. 

Ensemble Signal offered a thoughtful program of works by Michael Gordon and Julia Wolfe and a welcome return for older works of two NYC MVPs.

Stalwarts of American minimalism meet British Proms premieres as the London Sinfonietta checks the nation’s pulse

A sprightly MTT seemed to be in the right place among the fellows of the New World Symphony, his brainchild, in a program where youth was prevalent.

Well known for their genre-busting and boundary-defying music, Bang on the Can delivered a splendid Late Night Prom.

The latest bill from the Richard Alston Dance Company shows its leader as a consummate teacher: studied, scholarly, thoughtful.

Composer David Lang joined the ensemble in Oberlin for an invigorating night of fresh ideas played with a spirit of adventure.

Richard Alston is a true Contemporary Dance artist and choreographer, and his company a staple within the British Contemporary Dance scene. But last week's performance at Sadler's Wells was short of a five star. 

In addition to the “Mickey Pick-Slate” chants, the score of Anthracite Fields incorporates the banging of a can, the spinning of bicycle wheels, whistling, and shouting.

Iarla Ó Lionáird presented the theme – the Celtic traditional song The Two Sisters – and Julia Wolfe and Nico Muhly provided variations via two separate compositions based on the folk song.

Bang on a Can All-Stars are by no means small fish in a big pond. Their work within the world of minimalist and contemporary music, as well as their collaboration with some of the biggest names in 20th-century music, has made of them today a name respected by any fan of John Cage, Steve Reich, Terry Riley or Brian Eno (to name but a few of the best).

The title for this Barbican event certainly threw up some interesting questions. Having failed to attend a riotous dinner party that was characterised by one attendee as “a scream and an outrage”, Nico Muhly set about curating a series of concerts under this title. However, no screams or outrages occurred this weekend.

Roulette has never looked so snazzy: the usual dishevelled hipsters were replaced by well-dressed audience members of all ages, wearing heels rather than flannel, drinking from wine glasses rather than beer bottles.

Richard Alston’s Autumn season At Home was greeted with a full house. Dance celebrities and non-celebrities, the older generation from his experimental years, and eager younger choreographers with notebooks all gathered in celebration at The Place.

Bang on a Can were gentle with their London audience last night, giving the UK première of their Field Recordings project, a sequence of nine new compositions which all involved recorded sound or video samples.