En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Cory Stearns

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.

American Ballet Theatre kicks off its fall season with Ratmansky's culinary creation based on the two-act 1924 ballet, originally created as Schlagobers. 

As the wonderful Tharp trio program proves, all these years later Twyla Tharp can still make ballet look cool.

The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.

American Ballet Theatre's Whipped Cream should be seen for Ryden's sets and costumes alone. A free-floating eye and a sweetshop whose ingredients come to life create a very surreal world.

Heated Passions abound in ABT's Romeo and Juliet. 

Isabella Boylston made an impressive debut in MacMillan's treasured classic amid some fine performances from the supporting cast.

Ratmansky is at the top of his game as a story-teller with this loving recreation of The Golden Cockerel.

ABT has always been a place where stars shine brightest and this night had a whole constellation of them.

Imagine being trapped, for the rest of your life, in a swan’s body. Webbed feet, feathery wings, lakeside nest, the whole bit. Would you resign yourself to this “fowl” existence or refuse to accept your fate – no matter the consequences?Swan Lake is about one woman, Odette (danced by Veronika Part), in this fantastical situation.