En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Tim Murray

The Teatros del Canal host the Benjamin–Crimp partnership’s thrillingly dark, lyric retelling of Robert Browning’s famous 1842 poem The Pied Piper of Hamelin by La Veronal dance company.

Weill's neglected "American Opera" opens in Madrid with a refurbished production by John Fulljames and a strong cast led by Patricia Racette.

Newlyn's updating of the opera to the Second World War was effective, while a superb Despina from Soraya Mafi gave the performance real fizz.

Gerald Barry’s deliciously anarchic operatic setting of Oscar Wilde’s The Importance of Being Earnest returns to the London stage.

La Ópera de Ciudad de Cabo trae a Madrid una versión sin demasiadas sutilezas pero rebosante de movimiento, energía y pasión.  

Five short, exciting new works created in response to images by William Hogarth, showcasing a plethora of upcoming talent which already has lots to say about love, life, unkind critics and rave culture.

Interviewed at the Barbican Centre last year, Stephen Fry described Gerald Barry’s score for The Importance of Being Earnest (2010) rather unfavourably as “taking a machete to a soufflé”. However, this zany opera based on Oscar Wilde’s classic play of 1895 has already emerged victorious from concert premières in Los Angeles and London.

Babur in London is the latest production from pioneering opera company The Opera Group, and it provided a thought-provoking evening. A collaborative venture between British-born composer Edward Rushton and New Delhi-based librettist Jeet Thayil, the new work has already toured Switzerland, and arrived in London following dates in Basingstoke, Oxford, Leeds and Birmingham.