En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ayako Ono

National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

National Ballet of Japan has revived Sir David Bintley’s Aladdin for the first time in five years and it shows how the company has developed since the premiere in 2008. 

National Ballet of Japan has revived its version of La Bayadère choreographed by former director Asami Maki. Brilliantly performed by strong lead dancers, the Kingdom of the Shades was particularly breathtaking.

National Ballet of Japan have revived Peter Darrell’s Tales of Hoffmann and whilst this may not be a masterpiece, served to show how much the company is evolving, with excellent lead dancers.

National Ballet of Japan’s Nutcracker by Wayne Eagling is a family favourite, with lead dancers Ayako Ono and Yudai Fukuoka giving a flawless performance as the leads. 

Their artistry was something that is rarely seen and is a great gift to us all.

NBJ's season opens with a successful new production of the 19th-century classic Giselle, directed by Miyako Yoshida and choreographed by Alastair Marriott.

A much beloved production with magical charm, National Ballet of Japan's Cinderella, choreographed by Fredrick Ashton, is successfully performed to a full house audience, thanks to coaching by Miyako Yoshida who performed the role in her days at The Royal Ballet. 

In the National Ballet of Japan's Sleeping Beauty, the fulfilment and joy of being able to dance was apparent in the whole company and the result was glorious. 

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

National Ballet of Japan's The Nutcracker and the Mouse King conquers the challenge of Wayne Eagling, a flawed but enjoyable production with high quality dancing

The National Ballet of Japan mounted a new production of Peter Darrell’s The Tales of Hoffmann based on the Offenbach's opera. Although no masterpiece, it was an enjoyable evening and the quality of dancing by the four primas, the fascinating new sets and the costumes did entertain the audience a lot.

National Ballet of Japan’s La Bayadère boasts a magnificent corps de ballet, and with prima ballerinas Ayako Ono and Yui Yonezawa as the lead ladies and guest star Vadim Muntagirov as Solor, this highly dramatic and thrilling perfomance of La Bayadère makes for a memorable evening.