A spellbinding new Giselle for the National Ballet of Japan

Kosuke Okumura (Albrecht) and Ayako Ono (Giselle)

Ayako Ono (Giselle)

The Wilis, Act 2

Par Naomi Mori, 26 octobre 2022

Chargement en cours, veuillez patienter...

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“the title role was danced by Ayako Ono, a delicate and versatile dancer”

Critique faite à New National Theatre, Tokyo: Opera House, Tokyo, le 21 octobre 2022

Giselle (Alastair Marriott, Jean Coralli, Jules Perrot, Marius Petipa)

National Ballet of Japan

Alexei Baklan, Direction

Misato Tomita, Direction

Miyako Yoshida, Mise en scène

Dick Bird, Décors, Costumes

Rick Fisher, Lumières

Tokyo Philharmonic Orchestra

Ayako Ono, Danse

Kosuke Okumura, Danse

Keigo Fuduku, Danse

Asako Terada, Danse

Risako Ikeda, Danse

Shogo Hayami, Danse

Rentrée sur la pointe des pieds pour les Etoiles de l’Opéra de Paris

Laurine Mortha, 13th October

Malgré quelques temps forts, en particulier la reprise brillante de Herman Schmerman, la soirée « Etoiles de l’Opéra » laisse un avant-goût mitigé sur l'avant-scène du Palais Garnier.

***11

National Ballet of Japan’s Giselle: a triumphant London debut

Graham Watts, 24th July

National Ballet of Japan offer a 21st-century remake of this 19th-century Romantic classic with impeccable performances.

*****

National Ballet of Japan's revival of Giselle: a dramatic return

Naomi Mori, 10th April

National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

*****

The Unknown Soldier: a poignant tribute

Alexandra Desvignes, 22nd November

Audio and film permeate Marriott's new work for The Royal Ballet, recounting the tale of Ted Feltham, a British Soldier uuring World War 1, and his fiancée, Florence Billington.

***11

Peter Wright's Nutcracker

Graham Watts, 5th December

Sir Peter Wright's enchanting vision of The Nutcracker continues to delight

****1

Birds of a Feather: portraits of women

Tatiana Rathelot, 6th October

With a programme inspired by neuroscience and fairytale, the Royal Ballet shows that one is not born, but rather, becomes a woman.

***11

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Naomi Mori

Naomi is a blogger living in Tokyo and travels frequently to see ballet. She is a law graduate of Waseda University and a former film publicist, film critic and IT business researcher/strategist. She blogs at La Dolce Vita in Japanese. She tweets about ballet as @naomip_86. and takes ballet class regularly