En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Michel de Souza

Cette belle Bohème de Puccini au Théâtre des Nations de Genève vous tire des larmes à coup sûr, tout au long de ces deux heures de musique sublime portée par des artistes investis. 

Accourez au Grand Théâtre de Genève faire un rêve éveillé : de l’excellence du plateau de solistes, des couleurs de l’Orchestre de la Suisse Romande dirigé avec maestria par Steven Sloane, à la rêverie offerte par la mise en scène de Katharina Thalbach, ce Britten là vous déroutera peut-être, mais vous fera rêver sûrement !

À travers la mise en scène de Laurent Pelly, le Grand Théâtre de Genève remet au goût du jour ce génie du rire que fut Offenbach.

Une production sans risques, portée par de belles interprétations.  

English Touring Opera has revived James Conway's production of La bohème to launch the company back to full operations post-lockdown. What this new run lacks in finesse is made up for in bags of heart and spirit.

A memorable outdoor Traviata from a young cast who immerse us completely in the story.

Ravi Shankar's valiant fusion of East and West is no greater than the sum of its parts.

Almost 30 years since its last run, Gerald Barry’s The Intelligence Park makes a boisterous return to the stage. 

An icy female ruler, three chaotic cabinet ministers, questionable hand-holding - it could only be Puccini's last opera in a revivial of Serban's gorgeous 1984 production.

Five years after the composer's death, his musical collaborator David Murphy ensures that Shankar's only operatic work finally gets heard.

Using Stephen Medcalf’s 2008 staging, this opening night of love and loneliness was a feast for the eyes, a musical triumph and a dramatic tour-de-force that tugged at the heart strings.

A striking staging of Rossini's Guillaume Tell at the Grand Théâtre in Geneva: well cast, beautifully sung and impeccably choreographed.

Grange Park’s Samson et Dalila doesn’t hit the bull’s eye, but it’s well worth the visit for a decent all-round staging of an unfamiliar work, an excellent rendering of its sumptuous score and for a thrilling piece of singing by Carl Tanner.

If you want to have your operatic head seriously messed with, imagine the following: Così fan tutte staged on the Act I/IV set of John Copley’s soon-to-be-mothballed La bohème, which closed with a double performance on Saturday afternoon and evening. Throw in Don Alfonso sporting frock coat, wig and cane, looking for all the world like Baron Scarpia, and the mash-up of references had my head spinning.

Scottish Opera Orchestra and Royal Conservatiore of Scotland showcase singers trained and training in Scotland, tackling repertoire influenced by Sir Walter Scott.

From Studio to Stage was the name of this year’s summer performance by young artists on the Jette Parker programme at the Royal Opera House. The programme includes not only singers but also conductors/répétiteurs, a pianist, a lighting designer and stage director Pedro Ribeiro, who surely wins the prize for best headshot.

The teaming up of RSAMD’s best students with Scottish Opera has now become a much-anticipated annual event: in a showcase of best practice, it demonstrates how a national opera company can work together with a national music conservatoire to provide immensely valuable experience, and a chance for the youngsters to work right alongside the professionals on stage, off stage and in the pit.