En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Hallé Choir

Nine symphonies, five orchestras, two days: an immersive weekend as part of the Barbican's Beethoven 250 coverage featuring some of the UK's finest orchestras. 

Ludovic Morlot conducts Berlioz’s Roméo et Juliette with The Hallé.

Mark Elder conducts Mahler 2 with The Hallé in a measured but utterly compelling performance at Bridgewater Hall

Sir Mark Elder conducts a memorable performance of Berlioz' masterpiece in Manchester's Bridgewater Hall.

Edward Gardner opens the Hallé's Thursday series with dramatic Strauss and Janáček.

It was only in the final moments of The Firebird that the orchestra let themselves go, following a series of sensitive and transparent performances.

An enjoyable and vivid performance representing music spanning three centuries of history

Sir Mark Elder's 70th birthday Gurre-Lieder threatens to dislodge the roof in Manchester with the combined forces of the Hallé and BBC Philharmonic

The Hallé's Elgar Festival concludes with the work the composer wished to be remembered by. 

These two Manchester-based choirs formed a formidable partnership for one of the most gruelling choral works in the repertoire. The four soloists, however distinguished as individuals, produced mixed results.

Ryan Wigglesworth conducts the Hallé in works by Bach, Stravinsky and Schumann.

Stravinsky, Delius's evokation of the experience of Norwegain mountains, Rachmaninov and Tchaikosky in a stunning concert by the Hallé, the Hallé Choir and Sir Mark Elder 

Romanian conductor Cristian Măcelaru was rapturously received as guest conductor for this brilliantly original and eclectic programme with the Hallé. 

Sir Mark Elder conducts the Hallé in a fine account of Verdi's Requiem at the Bridgewater Hall

Sir Mark Elder and the Halle introduce Vaughan Williams masterwork Sancta civitas to the Proms.

Sir Mark Elder conducted the Hallé in an original and subtle programme to commemorate the First World War at Manchester's Bridgewater Hall.

Sir Mark Elder conducts the Hallé in Shostakovich's Violin Concerto no. 1 with Viktoria Mullova and Ravel's Daphnis et Chloé at the Bridgewater Hall. 

The Hallé ended its season on a high with a magnificent performance of Mahler's Ninth Symphony finding the horn section, in particular, on glorious form.

Principal Guest Conductor Markus Stenz conducted a pair of very different works by fellow Germans, both featuring a strong nod towards Britain. The music spoke for itself, with a beautiful and original Brahms Requiem the highlight of the evening.The title of Brahms’ Ein Deutsches Requiem is quite significant.

Sir Mark Elder conducted the Hallé in an unusual programme of music themed around hunting. There were many excellent performances, most memorably in Britten's Our Hunting Fathers, which added substantial depth to the evening.Assistant conductor Jamie Phillips began proceedings with a solid account of Haydn’s Symphony no. 73, “La Chasse”.

Conductor H.K. Gruber’s visits to the BBC Philharmonic are guaranteed to be unmissable concerts of the season; with unquenchable enthusiasm and pride in the music he programmes, Gruber, (known affectionately to all as “Nali”), always assures a stirring performance.

Few things could unite such a large group of people as the Hallé’s Meistersinger did tonight. Some 515 performers, drawn from three orchestras and five choirs, gathered to present highlights from the first two acts of Wagner’s opera and the third act in full.

The solo violin repertoire is rich; from Bach to Bartók and beyond, the instrument has an enviable catalogue of impressive works. Prokofiev’s principal contribution to the solo violinist’s career consists of two sonatas (one also favoured amongst flautists), and two concerti. However, in 1947, Prokofiev was commissioned to write a piece for 20 or 30 talented student violinists playing in unison.

If you’ve never been to a grand-scale choral work at the Royal Albert Hall, I’d urge you to do so at the earliest opportunity. This wasn’t my first visit to the Proms, and I’ve experienced oratorios, requiems and passions galore in other places, but to hear hundreds of accomplished singers filling this vast circular space was new territory for me. The hall seemed made for the occasion.

Nikolaj Znaider concluded the Hallé Beethoven cycle in emphatic fashion, preceding the Choral Symphony with another ninth symphony, that of Shostakovich. The football-style roar from the sell-out audience at the end of the evening was a good indicator of the quality of the concert.

Elgar’s oratorios The Apostles (1903) and The Kingdom (1906) are the manifestation of a fascination that he had held since his childhood in Worcester.

This was a moving evening of relatively underrated, large-scale late romantic music, moving from Strauss’ youthful charm to the wistful eloquence of the mature Elgar.Assistant Conductor Andrew Gourlay directed Richard Strauss’ Serenade in E flat for thirteen wind instruments with closely controlled expressiveness.

Continuing the Hallé’s project of juxtaposing Beethoven symphonies with modern works, the underrated fourth symphony was flanked by works by Helen Grime and Igor Stravinsky, with an intriguingly placed Bach Suite closing the concert.

John Adams’s Harmonium accompanied the third instalment in the Hallé Beethoven cycle to form an exciting programme of music united by being very radical in its time. Harmonium, composed in 1980, is a choral triptych of ‘poems of transcendental vision,’ as the composer writes, underpinned by minimalism inspired by the likes of Reich and Glass.