En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Dawn Upshaw

Planners of the Lucerne Festival at the Kultur und Kongresshaus Luzern (KKL) set out to change the preconception that conductors are generally male. With a theme entitled “Prima Donna”, the aim is to promote female conductors.

New Yorkers flocked to BAM on Thursday to celebrate the beginning of the Next Wave Festival 2014. Even more discerning audiences were just around the corner at BAM’s Harvey Theater for a program that featured soprano Dawn Upshaw and pianist Gilbert Kalish.

The Australian Chamber Orchestra struggle with John Adams before finding their form in the music of Grieg, Maria Schneider (with Dawn Upshaw as soloist) and Elgar.

Ensemble ACJW performed works by Berio, Reich, and Bartók with conductor David Robertson and soprano Dawn Upshaw at Carnegie Hall's Zankel Hall. This attractively programmed concert featured an admirable first half, though the Bartók left something to be desired.

On Friday night, the Irish new music group Crash Ensemble produced some sonic pyrotechnics to match the Scriabinian lights display at Carnegie Hall’s recently renovated Zankel Hall.

January 2013 is turning out to be a pretty major month for 20th-and 21st-century classical music in London’s cultural mainstream, with Harrison Birtwistle’s The Minotaur roaring loudly at the Royal Opera House and the Southbank Centre’s The Rest Is Noise series, a year-long celebration of 20th-century music, launching currently.

Previously, for me, the term “Chamber Orchestra” has meant an ordinary orchestra, only smaller: apart from the sound being somewhat thinned out and consequently cleaner, I don't expect a fundamentally different experience. Or, didn't, that is, until last night at Cadogan Hall, where I saw the Australian Chamber Orchestra for the first time.