En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Anne Marie Gibbons

A title role performance full of depth from Terfel and a barnstorming comic interlude from Tomlinson provide some great moments, but much of this Boris fails to rise above the ordinary.

Luis Buñuel's derision at the sense of entitlement of over-privileged, self-righteous prigs shines through a high quality operatic adaptation.

A declamatory Bruckner Te Deum made up for a less exciting first half of Barry and Mahler. 

Mahagonny surfaces for just the second time in Ireland, in a collaborative production resonating harshly with the country's recent economic history.