En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andrew Wilkowske

Dead Man Walking is currently the most frequently performed contemporary American opera. Joel Ivany's staging, first mounted in Vancouver, opened recently at Minnesota Opera just days after the opera's Spanish première in Madrid. 

Don Pasquale is updated to 1950s Hollywood, delivering clever staging and slapstick humor while sacrificing none of Donizetti's musical artistry.

New York’s three year old, wonderfully innovative On Site Opera, has scored another success with a four-performance run of Giovanni Paisiello’s 1782 Il barbiere di Siviglia. 

Whether you call it Un giorno di regno or “King for a Day”, Giuseppe Verdi’s second opera and his first comedy is mostly unknown. That has not stopped the Glimmerglass Festival from mounting a spirited production for its 2013 season in the Alice Busch Opera Theatre on the shores of Otsego Lake in upstate New York.

A work crucial to the development and appreciation of opera as a relevant modern art form premièred on the East Coast to well-deserved acclaim at a legendary Philadelphia venue. From the first note out of the pit orchestra to the final strains of the last act, Silent Night, presented by Opera Philadelphia at the Academy of Music, was a tour de force – from conception to execution.