En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Gale Edwards

Gale Edwards' popular revival, set in the 1930s Weimar Republic, brings visual delight and showcases Australian-Chinese tenor Kang Wang as Rodolfo.

Gale Edwards' Opera Australia staging of Richard Strauss' bloody opera is revived with Lise Lindstrom in the title role. 

A fine cast led by Maija Kovalevska conveys the timeless beauty and emotion of Puccini’s Parisian melodrama, but the 1930s Berlin setting remains an imperfectly realised transformation.

There are Australian accents and idioms aplenty in this exciting new State Opera of South Australia opera being premiered in Adelaide.

The ever-popular La bohème returns in Gale Edwards' adaptation which features a change to the final months of the 1930s Weimar Republic as featured in the musical Cabaret.

Camels, fireworks, and a gigantic head of Nefertiti: the Sydney Harbour production of Aida is not short on spectacle. Among the cast, Latonia Moore is outstanding in the title role, with good support from Miljana Nikolic as Amneris and Michael Honeyman as Amonasro.

There can be fewer more idyllic places in the world to see an opera. Behind the floating stage was Sydney’s harbour bridge and opera house; to the left, the lights of the central business district; and to the right, the glittering lights of the Northern Shore and the occasional ferry making its way to Circular Quay.

Salome was a huge, scandalous success at its 1905 première, and stagings of this, Richard Strauss’ third opera, have continued to shock audiences over the past century. This is hardly to be wondered at: after all, the title character’s final monologue ends with her kissing the severed head of John the Baptist, whom she has had executed for spurning her advances.

After the untimely passing of Salvatore Licitra, touted the “new Pavarotti”, in a motor-scooter accident earlier this month, I hardly dare suggest anyone as potential successor to the lyric tenor of the finest Italian tradition, lest he be jinxed. Yet, I would be doing a great disservice to Mexican tenor Diego Torre if I didn’t even make a passing mention of his possible candidacy.