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An exciting festival event spectacularly highlights a great blend of European and Australian talent.

Sarah Giles directs a no-frills production for the State Opera of South Australia, but one that brims with emotion. 

Sometimes referred to as “the great Australian opera” ,Voss has had few Australian airings since its 1986 premiere. This new production shows why it is held in such high regard. 

A full-on production of Britten’s The Turn of The Screw produces richness and awe, with a magnificent cast and musical excitement from the baton of Britten scholar Paul Kildea.

Continuing Adelaide’s partnership with the Aix-en-Provence Festival another impressive, quirky, creative, imaginative Barry Kosky opera has enriched Adelaide’s Festival scene.

Melbourne Opera have done a magnificent job with this Die Walküre production. Everything about it has succeeded. And maybe in Zara Barrett they have discovered a new Brünnhilde.

Using bold digital panels, D-Wok has created stunning visual effects. World class singers provide an outstanding aural experience.

Stuart Maunder's much-travelled staging of Sondheim's classic arrives at the State Opera of South Australia, starring Ben Mingay and Antoinette Halloran in the leads. 

Breaking the Waves is a remarkable opera. Scottish Opera has brought a thrilling cast, orchestra and team to Adelaide, and its audiences are all the richer for it.

A work designed to be performed in church has become a dramatic music theatre event that captured and held me enthralled throughout in a meditation on both death and life.

The State Opera of South Australia launch a beautifully sung, dramatically performed Madama Butterfly conveying a powerfully confrontational telling of the opera.

When two internationally acclaimed sopranos, two internationally acclaimed mezzos, a brilliant world-renowned conductor, the Adelaide Symphony Orchestra and the music of Richard Strauss align all the elements of a magnificent, thrilling evening have gelled.

Lovers of Lewis Carroll’s work would be enthralled by Boojum!, a clever musical quest celebrating the life and inner thoughts of Reverend Charles Dodgson, whose alter-ego was Lewis Carroll.

What do you do when 80 tonnes of water flood your theatre, your sets and costumes? Rescue, reshape and present what you can. That’s what Deutsche Oper am Rhein have had to do in Duisburg.

Performing Carmen in the open works well. This open-air Adelaide event combined wonderful music and delightful singing, making for an impressive evening.

The Australian Youth Orchestra was full of poise and maturity and all the singing was impressive in Roger Hodgman's production.

With marvellous cohesion, life and wit the Gabrieli Consort and Players, sponsored by State Opera of South Australia, who thrilled Adelaide audiences with their presentation of English Baroque.