En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | CBSO Youth Chorus

John Storgårds conducts his BBC Philharmonic Orchestra in a profoundly moving account of Mahler's vast Third Symphony. 

Psalm 150 and a collection of outrageous 13th-century texts by boisterous young clergyman collide at the Royal Albert Hall in the City of Birmingham Symphony Orchestra's Prom. 

Mahler's Resurrection Symphony is something of a calling card for the City of Birmingham Symphony Orchestra, here originally billed as Mirga Gražinytė-Tyla’s final concert as musical director. 

The CBSO’s newly-announced Chief Conductor delivers a jaw-dropping season opener featuring French and Russian music full of emotional contrasts.

Attempts at crowd-pleasing go awry in music by Vaughan Williams and Gary Carpenter, while John Foulds escapes unscathed.

Mirga Gražinytė-Tyla approached the Eighth with a clear vision of the music’s structure and a plan to free the life that teems beneath its mighty vaults.

Edward Gardner conducts a richly entertaining account of Berlioz's masterpiece in Birmingham

Mahler for beginners? Andris Nelsons and the Boston Symphony Orchestra provide exemplary clarity and understanding of structure, but don't hit one in the chest in the way the Third can.

Colour and light from Ludovic Morlot and the CBSO in Debussy and Ravel, but it was the power and depth of Lili Boulanger’s Psalm 130 that shone the brightest.

A striking performance of The Planets had people humming their favourite bits on their way out of the hall, but the real winner was Vaughan Williams’ neglected valedictory symphony.

The space-themed Prom 29 matches old favourites with new works in joyous performances.

The CBSO conducted by Nicholas Collon grapple with the collision of love and death in works by Mahler, Webern and Brahms

After seven years at the helm, Andris Nelsons gave his last performance with the CBSO at Symphony Hall. His future in Boston is secured, but what of the CBSO?

Mark-Anthony Turnage's Passchendaele, his WWI-themed piece, received its UK première this evening, in a concert given by the CBSO Youth Orchestra. 

A superb concert performance of Der Rosenkavalier with the CBSO and Andris Nelsons receives a rapturous reception. 

The consequence of any war is destruction, and though ancient buildings continue to crumble under the terrific blast of modern warfare, the spirit of a people undefeated invariably gives way to creation with renewed fervour.

The sea has been the inspiration for many concert works; Debussy’s La mer springs to mind immediately as perhaps the most popular, but in England during the first half of the 20th century nautical themes sustained an important presence. Amongst Delius’ Sea Drift, Vaughan Williams’ A Sea Symphony and Britten’s Four Sea Interludes sits Frank Bridge’s short and splendid suite The Sea.

Tonight’s was an historic performance, so first, a few dates. On 14th November 1940, Luftwaffe bombing raids destroyed much of the medieval centre of Coventry, including most of its cathedral. On 30th May 1962, Benjamin Britten’s specially-commissioned War Requiem was premièred by the City of Birmingham Symphony Orchestra in Sir Basil Spence’s newly consecrated cathedral.

A work scheduled to last nearly two hours could be excused for starting with a long slow build up, but Havergal Brian’s massive Gothic Symphony (the longest symphony ever composed) bursts onto the scene with a brisk and bustling march-like flourish, contrasted briefly with a delicate violin solo that reminds us that this is very much an English composition.