En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Christopher Bell

The Planets gets the star treatment from Gardner and the LPO, while Beatrice Rana brings disarming delicacy to Rachmaninov.

Golijov's La Pasión según San Marcos is full of life, but seeing it as well as hearing it definitely helps. 

The performance was technically flawless, but left our reviewer unmoved.

A superb choral performance and some memorable solo moments bring Mahler's "Symphony of a Thousand" to life, even if the sheer energy of the Swedish Radio Symphony Orchestra turns frantic at times.

NYCOS showcase at The Edinburgh Fringe:  The Armed Man: A Mass for Peace by Karl Jenkins was a moving performance, and a thrillingly muscular take on Mozart’s Requiem let the young voices gloriously soar.

National Youth Choir of Scotland Chamber Choir and Lammermuir Festival Players delight in an imaginative programme of French and Estonian sacred music.

The BBC SSO and Ilan Volkov close EIF 2014's contemplations on 'Conflict and Culture' with dark Mills and dramatic Janáček.

Oliver Knussen, the RSNO and Edinburgh Festival Chorus offer rarely heard titanic works in a packed Usher Hall.

A concert programme can resemble a puzzle; searching for links and contrasts often results in a more enjoyable, unified experience. I therefore strove to arrive in sufficient time for a careful reading of the programme notes for this performance by the Scottish Chamber Orchestra at Usher Hall, part of the Edinburgh International Festival.

It is on record that Mariss Jansons adores the Usher Hall in Edinburgh and wishes there was a concert hall with as good an acoustic in Munich. His quite astonishing performance of Mahler’s vast “Resurrection” Symphony, taking us as it does on a journey from darkness and despair to blazing light with orchestra and choir going flat out, demonstrated just what an exciting venue this is.

The opening concert of the 2013 Edinburgh International Festival was a Scottish-Russian collaboration. The RSNO, the home team on home turf, featured two Russian soloists, all under the baton (or, more accurately, the open hands) of Valery Gergiev at Usher Hall.

If three years is sufficient to constitute a tradition then, traditionally, a Lammermuir Festival ends with a sell-out concert in St. Mary’s Parish Church, Haddington. And if year three is sufficiently far along the line to break with tradition, then this year’s surprise was not box-office focused but based on choice of repertoire; not a Bach/Handel finish, but an all-French programme.

This, the final indoor concert of the 2012 Edinburgh International Festival (the closing Fireworks Concert takes place under the Castle Rock in Princes Street Gardens), was bookended by possibly the loudest and quietest sounds in the festival.Charles Ives' The Unanswered Question opens with a delicate mist of pianissimo strings.

It's about time. Certainly Chronochromie is about the colour of time, but grasping the essence of much of Messiaen's music depends on being in synchrony with his take on time in music – specifically intimations of the eternal.

Visiting the Sage to perform a larger concert tomorrow night with the National Youth Orchestra, the National Youth Choir of Scotland presented a solo recital this evening, showcasing, we were told, some of their recent repertoire and favourite pieces, including contemporary arrangements of Scottish folk songs.