En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Laura Day

Carlos Acosta's Don Quixote hits the road with a successful London residency at Sadler's Wells.

BRB's director, Carlos Acosta, has taken a hands-on approach to coaching the principals in their roles in this season opening production. 

It starts like a scene from Mary Poppins, with penguin waiters nimbly weaving between waltzing couples, but ends with a deft blow to the stomach to deliver its environmental message.

Edward Watson does angst expertly. The Royal Ballet principal proved himself as a convincing drug-ridden, suicidal Crown Prince Rupert in MacMillan’s ballet Mayerling and he was a nervy, jittery bespectacled White Rabbit in Wheeldon’s Alice’s Adventures in Wonderland. Now he’s a bug and literally climbing the walls.