The Metamorphosis | Bachtrack

Par Margaret Willis, 23 septembre 2011

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Critique faite à Royal Opera House: Linbury Theatre, Londres, le 21 septembre 2011

Metamorphosis (Arthur Pita)

The Royal Ballet

Edward Watson, Danse

Anton Skrzypiciel, Danse

Nina Goldman, Danse

Greig Cooke, Danse

Laura Day, Danse

Bettina Carpi, Danse

Joe Walking, Danse

Iolanta / Casse-Noisette ressuscités avec génie par Tcherniakov

Laurine Mortha, 13th May

L’opéra Iolanta et le ballet Casse-Noisette sont réunis dans une co-création d’envergure qui rassemble les talents du scénographe Dmitri Tcherniakov et des chorégraphes Sidi Larbi Cherkaoui, Edouard Lock et Arthur Pita.

*****

Tcherniakov triomphe dans Iolanta mais contrarie Casse-Noisette

Mark Pullinger, 11th March

A Paris, l'enfant terrible russe réunit Iolanta et Casse-Noisette... avec des résultats très contrastés.

***11

Next Generation Festival: Rambert School impresses throughout

Graham Watts, 1st July

A show where the whole School was the star.

****1

English National Ballet School embraces the unconventional

Deborah Weiss, 19th June

English National Ballet School Professional Trainees show great versatility in their final performance of the year, with a highly entertaining mixed programme.

****1

Pita’s disturbing take on Hans Christian Andersen’s grim fairy-tale

Sarah Kirkup, 20th June

Natalia Osipova and Jonathan Goddard excel in the gothic drama of Pita’s storytelling – but is it all just a bit too gory?

***11

ABT's Whiteside and Trenary star in Pita's The Tenant at The Joyce

Andrew Blackmore-Dobbyn, 10th November

The single best thing about The Tenant was Frank Moon’s score, played by Moon himself on the piano, violin, and singing.

***11

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Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.