En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Angela Hardcastle

There is usually a good reason why operas which lie unperformed for many years do so – some flaw in the plotting, characters who fail to interest an audience, or musical langueurs. It was therefore with somewhat low expectations that I went to Hampstead Garden Opera’s production of Vaughan Williams’ Hugh the Drover. Imagine my surprise and delight.

We are in a small Cotswold market town in 1810. It's the height of the Napoleonic wars, fear of Bonapartist spies abounds. A stranger rolls into town - a roving man whose profession is rounding up wild horses for the military - and wins the hand of the daughter of the town Constable in a bare knuckle prize fight. Somehow, you just know that there's going to be trouble.