En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | César Morales

A triple bill about Birmingham brings Birmingham Royal Ballet back to live.

Outstanding performances all-around in this special treat for Christmas 

Northern Ballet reaches its half-century with a gala at Leeds Grand Theatre featuring highlights from its "greatest hits".

The welcome return of a thoughtful interpretation of this much-loved ballet  

A unique marriage of production and performance space provides a spactacle synonymous withe spirit of Christmas 

Like meeting the near-identical twin of that much-loved friend: BRB's fine performance of their unique take on Kenneth MacMillan's Romeo and Juliet 

BRB delivers in a production of jolly moods, bawdy humour and great emotions.

Celebrating 20 years as Artistic Director of Birmingham Royal Ballet, David Bintley brings the company to London, where Balanchine’s Serenade acts as a delicate sorbet before the excesses of Bintley’s own Carmina burana.  

The evening was a step back into childhood nostalgia, of getting on the hired coach with my brother and neighbours from our cul-de-sac, to drive up to London for the traditional Christmas pantomime. And, of course, Aladdin with all that mystical eastern magic was always a favourite with us kids.

War on a chess board; simplicity and purity of line; and a rollicking Victorian nonsense musical—all rolled into one evening in London this week. Autumn Glory was a true mixed bag of styles and tempos, and recalled Birmingham Royal Ballet’s heritage that had its beginnings at Sadlers Wells Theatre.