Nostalgia and magic: Birmingham Royal Ballet's Aladdin in London

Par Margaret Willis, 22 mars 2013

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Critique faite à The London Coliseum, Londres, le 20 mars 2013

Aladdin (David Bintley)

Birmingham Royal Ballet

César Morales, Danse

Nao Sakuma, Danse

Iain Mackay, Danse

Tzu-Chao Chou, Danse

Marion Tait, Danse

Natasha Oughtred, Danse

Ambra Vallo, Danse

Tyrone Singleton, Danse

Céline Gittens, Danse

Royal Ballet Sinfonia

Paul Murphy, Direction

Finnish National Ballet delight in David Bintley’s A Christmas Carol

Maggie Foyer, 30th November

Skilfully drawn characters and excellent dancing make this a great alternative to the plethora of Nutcrackers during the festive season.

****1

David Bintley's Aladdin: a beloved production returns to Tokyo

Naomi Mori, 14th June

National Ballet of Japan has revived Sir David Bintley’s Aladdin for the first time in five years and it shows how the company has developed since the premiere in 2008.

****1

David Bintleys Weihnachtsballett A Christmas Carol

Rainer Zerbst, 23rd December

Ein beklemmendes psychologisches Drama... jedoch lässt die choreographische und musikalische Spannung nach Beginn schnell nach.

**111

National Ballet of Japan kicks off 2022 with stylish New Year Ballet

Naomi Mori, 14th January

National Ballet of Japan successfully performs two very different pieces, George Balanchine's Theme and Variations and David Bintley's Still Life at the Penguin Café, amid the ongoing COVID-19 crisis.

****1

New Year Ballet creates a buzz with “Still Life” at the Penguin Café

Naomi Mori, 11th January

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

****1

Birmingham Royal Ballet's Nutcracker rescued for online audiences

Graham Watts, 21st December

Outstanding performances all-around in this special treat for Christmas

*****

Plus de critiques...

Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.