En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Oliver Mears

Oliver Mears' new staging impresses and Jakub Hrůša's first season as Music Director excites interest. But the evening belongs to Anna Netrebko.

Superb Handelian singing and intense character acting light up Handel’s Semele, staged as a stark, uncompromising indictment of the rich and powerful. 

Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre. 

Handel's last oratorio is stylishly set in the composer’s era, with an all-star cast of Handelian singers who give their all.

It's been a long wait since Cardiff Singer 2015, but the Mongolian baritone gives an outstanding vocal portrayal of Verdi’s doomed jester at the Royal Opera House.

Oliver Mears' new production of Britten's chamber opera is a visceral reflection on tyranny and sexual violence.

The second cast of the season for Oliver Mears' new Royal Opera production augments the intelligent staging with superb singing and acting.

Oliver Mears’ first production since becoming Director of Opera also heralds the start of a new Royal Opera season, with a full house finally returning after the long Covid hiatus.

Director Oliver Mears turns Scottish Opera’s Eugene Onegin into a memory play, with fine singing from a strong cast starring Natalya Romaniw as a thrilling Tatyana.  

Oliver Mears' impressively-cast farewell production in Belfast combines gripping drama and exuberant fun in a symbol-packed reading of Don Giovanni. 

Oliver Sears' production of Macbeth comes to Cardiff in a production which offers a great deal musically but doesn't quite coalesce dramatically. 

Scottish Opera and Northern Ireland Opera's new version of Offenbach's Orpheus in the Underworld has been touring Scotalnd and Northern Ireland: it's now arrived in London for a short run at the Young Vic in London, in its 150-seater Maria hall alongside the main theatre.