En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Cornel Frey

Bei Bayer Kultur kam durch Werner Ehrhardt eine interessante Ausgrabung zur Aufführung, bürgernah und gefällig, allerdings diesmal nicht so zündend und sorgsam.

Baritone Kay Stiefermann steals hearts at the eponymous Count of Luxembourg, in an operetta so charming that neither musical missteps nor a mixed-up staging can sink it.

Stefan Herheim's eagerly awaited production of Berg's Wozzeck distances us from the emotional heart of the tragedy by portraying the story as a hallucinatory death-room experience.

A well-sung revival of a witty and supremely theatrical production of Strauss’ operatic exposé.

A musically classy, rip-roaring staging of Der Graf von Luxemburg - a seasonal treat at the Deutsche Oper am Rhein.

Dmitry Bertman's simple, stylish production of Rimsky-Korsakov's final opera finds a more recent satirical target. 

A German-Taiwanese co-production of Puccini's final opera plays out the drama as a modern-day nightmare.