En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Robyn Allegra Parton

“Have I just written sacred music, or rather, sacrilegious music?” Rossini's Petite messe solennelle dons a period instrument mantle with the Orchestre Révolutionnaire et Romantique at London's Alexandra Palace.

Jonathan Miller’s game-changing mafioso setting of Rigoletto returns to the Coliseum, vividly conducted by Richard Farnes. 

Ariadne auf Naxos shines in an ultra-contemporary world of high net worth tantrums at Longborough Festival Opera, complete with glam rock fairies, giant string, and glorious music. 

There’s something decidedly odd about pitching up at Glyndebourne sans picnic hamper, wrapped up in heavy layers, the aroma of mulled wine wafting through the foyer... 

When the king of the gods falls head over heels in love with you, seriously bad stuff happens. If you're a Handelian soprano like Semele, however, it happens very tunefully and in a thoroughly pleasant, elegant and cheerful manner for the whole evening.If you're confused as to the difference between opera and oratorio, Semele is the perfect aid to your confusion.

It might be a useful “rule of thumb” for every director of opera, to imagine the audience will be coming to the opera for the first time and view his own job as giving maximum clarity to the production he or she is working on.