En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | David Salsbery Fry

An earnest, posthumous premiere of a flawed opera from Odyssey Opera and the Boston Modern Orchestra Project.

Disparaged by critics and his fellow musicians, Tchaikovsky's The Maid of Orléans is performed by Odyssey Opera. 

In recent seasons, the New York City Opera has largely limited itself to chamber operas. Its newest production marks a renewed ambition: Rossini’s Mosè in Egitto, a proto grand opera that ends with nothing less than the parting of the Red Sea.

The New York City Opera has spent the season reinventing itself from a large company with a large theater to a peripatetic one presenting small works. Perhaps it was apt that they closed their season with Telemann’s Orpheus.