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Winter balm in the Boston Symphony's “Spirit of Beethoven”
Excellent camera work contributed to the transparency and clarity by visualizing the interplay between various instruments and sections in the reduced orchestra, especially the eloquent winds.
Ein Gedankenfetzenfliegen: Vivaldi mit der Handel and Haydn Society
Kantate und Instrumentalkonzerte vermitteln in Zeiten kleinerer Besetzung das Gefühl von Oper – und das ziemlich groß. Eine gelungene Flucht.
No illusions: Andris Nelsons and BSO return as clear as crystal
As if they’d never been apart, Andris Nelsons and the Boston Symphony Orchestra pick up where they left off a year ago, with a vibrant Eroica and two mesmerising contemporary pieces.
Boston Lyric Opera falls into strange intersections with Glass and Poe
Director James Farrah and writer Raúl Santos' realization of Glass’ Fall of the House of Usher is a work of unbridled creativity, an engrossing film which might have benefited from a bridle.
Cosmic coolness: Hannu Lintu and the Boston Symphony Orchestra
Pastoral repose and granitic grandeur in an awe-inspiring performance of Sibelius' Second Symphony.
Death and eternal rest from Guerrero and the Boston Symphony
After Helen Grimes makes her Symphony Hall debut, Johannes Moser is the soloist in William Walton's Cello Concerto, before Maurice Duruflé's Requiem comes as welcome consolation.
