En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Amar Ramasar

The Four Seasons is such a happy, appealing ballet that the audience barely notice any unsteady moments. 

A Greek-themed triple bill is presented with mixed success, although Agon still stands up well, with Unity Phelan making her debut in the central pas de deux.

Sterling Hyltin and Adrian Danchig-Waring are exquisitely self-absorbed in Jerome Robbins' Afternoon of a Faun.

A trio of audience-pleasing Balanchine ballets as a blizzard blows through New York City...

NYCB has always had a mission to present new works and Saturday's program included Amaria, a creation by Mauro Bigonzetti for retiring ballerina Maria Kowroski.

Whatever your taste in ballet, this program probably had it: Wheeldon's DGV meets Balanchine's Door and a Sigh and Raymonda Variations. 

Sterling Hyltin owns The Concert and seems to be having the best time of anybody onstage.

New York City Ballet under Peter Martins continues to nurture talent from its budding dancers and choreographers and it's all to the good.

As the season closer, you want something like this that lets everyone have some fun.

An all Robbins program at New York City Ballet is one of my favorite things.

A high-spirited divertissement from the New York City Ballet.

Miriam Miller is the latest ballerina to stand out from the crowded field at City Ballet and she may well be the best at such a young age since Sara Mearns. 

NYC Ballet's fashion-forward program of five new works helps to keep things interesting.

Dance, when fulfilled by such artistry as seen this evening, requires no embellishment. 

Peter Martins's greatest legacy at New York City Ballet is his tremendous eye for talent and it was on full display at this matinee show.

Historically a dead month for the dance world, August is heating up as mini-festivals become more commonplace. New York City Ballet's Ashley Bouder presents a balanced program at the Joyce.

How lucky I am to live in a city where I can head over to Lincoln Center and catch an entire evening’s worth of Balanchine ballets, performed by the stellar artists that make up New York City Ballet. This gift is not lost on me; I may be becoming a jaded New Yorker, occasionally cynical and impressed by little, but I feel quite a thrill attending the ballet.

From lifelong fans to the previously uninitiated, New York City Ballet’s All Robbins program was designed to make the whole house cheer. Jerome Robbins’ (1918–98) work on Broadway and in ballet made him a revered artist in both circles. Few others were ever able to achieve such crossover success.

This season New York City Ballet unveiled two entirely new ballets by choreographers Peter Martins and Benjamin Millepied. Both world premieres took place during the NYCB’s spring gala earlier this month and were reprised Tuesday night for an eager, if not as impressively dressed, audience.Martins’ Mes oiseaux (“My Birds”), first of the night, included some interesting choices.