NYCB's signature styles in DC

Par Hilary Stroh, 02 mars 2016

Chargement en cours, veuillez patienter...

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“a divertissement of new and older works”

Critique faite à Kennedy Center: Opera House, Washington, le 1 mars 2016

Ash (Peter Martins) (Peter Martins)

After the Rain: pas de deux (Christopher Wheeldon)

The Infernal Machine (Peter Martins)

The Most Incredible Thing (Dessner/Peck) (Justin Peck)

Tchaikovsky Piano Concerto no. 2 (George Balanchine)

New York City Ballet

Tiler Peck, Danse

Jared Angle, Danse

Ashley Laracey, Danse

Amar Ramasar, Danse

Teresa Reichlen, Danse

Les Etés de la Danse: NYCB

Laurine Mortha, 9th July

Le New York City Ballet est à l’affiche de la douzième édition des Etés de la Danse au Théâtre du Châtelet. Cette participation est une première attendue de longue date, alors que le festival a déjà accueilli de nombreuses compagnies américaines.

***11

Mejia debuts in a sumptuous Sleeping Beauty at New York City Ballet

Carla Escoda, 12th February

Roman Mejia and a raft of soloist debuts galvanized Peter Martins' Sleeping Beauty. An elegant production with some incidental messiness and the structural liability of a princess' dependence on a kiss.

****1

Few signs of heat in a mixed bill at New York City Ballet

Carla Escoda, 25th September

New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.

***11

Sara Mearns makes Swan Lake watchable again

Carla Escoda, 19th February

Peter Martins' Swan Lake continues to divide ballet fans. Can Sara Mearns unite them, 19 years after her astonishing debut as Odette-Odile?

***11

New York City Ballet Goes Four for Four

Carla Escoda, 9th February

One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.

****1

The Sleeping Beauty: NYCB relishes this traditional version

Ivy Lin, 16th February

If the famous fairy variations in the Prologue can sometimes expose weaknesses, NYCB proved that it excels in pure classical ballet and not only in the neo-classical repertory.

*****

Plus de critiques...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

New York City Ballet meets DC audiences with light-hearted divertissements