En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Marius Vlad

The London Philharmonic’s concert performance of Enescu’s Oedipe proves an extravagant but triumphant way to launch the orchestra’s new Royal Festival Hall season.

A milestone event in the short life of Melbourne Opera has been a production of Tannhäuser in which soprano Lee Abrahmsen was outstanding as Elisabeth.

Eva-Maria Höckmayr's brilliantly unsettling double vision of Tannhäuser sees our hero both being, and watching himself being overwhelmed by psychic anguish, appalled at the futility of pleasure, and tortured by his savage envy of salvation. 

A Beethoven cycle last year, The Ring this year: what will Daniel Barenboim bring to the 2014 Proms? Perhaps, given the recent success of extracts both at the Proms and at Lincoln Center Festival, the smart money is on Karlheinz Stockhausen’s 29-hour, seven-opera cycle Licht. Then again, perhaps not.