En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Oliver Dunn

Portugese composer Vasco Mendonça presents in Luxembourg his new opera, based on the masterly tale by Julio Cortázar.

Certain images of Edward Elgar appear to be too heavily ingrained in our national consciousness ever to be shaken off. He has now been entombed as an establishment figure, a privilege for which he has the Last Night of the Proms to thank.

Director Alessandro Talevi’s imagination, wit and audacity meant that Don Giovanni, which has just launched Opera North’s new season, was a huge success. The production was enthralling throughout, never dragging or disappointing, even in the second act. It works much better than others I have seen, because the emphasis is placed firmly on the comic rather than the pathetic.

Bampton Classical Opera is a company dedicated to performing rarely-performed 18th-century operas, and every summer they stage a new production with a cast of young and upcoming singers at their base in Bampton in Oxfordshire. This year’s production was a double-bill of French opéras comiques by Philidor and Grétry, which they brought to London’s St John’s Smith Square last week.