En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Renato Palumbo

Could this be the last triumphant outing for the late, great Elijah Moshinksy's moving production of Rigoletto?

Graeme Murphy's legendary staging of Puccini's final opera remains a vital combination of strong storytelling and visual panache.

A mixed-bag of an evening at the Sydney Opera House, with a production of Ernani imported from La Scala failing to solve the inherent challenges of the work, despite good performances from the cast.

Davide Livermore's new production of Donizetti's Anna Bolena offers moderate pleasures, with solid performances by Ermonela Jaho in the title role, and Carmen Topciu as Jane Seymour.

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

Marco Tullio Giordana's new production at the Maggio Musicale may be static, but musically there's much to enjoy in this rare slice of middle-period Verdi.

A dark minimalist inspiration for Vincent Boussard’s co-production of the Boston version of Un ballo in maschera, returning to the Gran Teatre del Liceu after 16 years.

A vividly dramatic take on Verdi's Requiem by Opera Australia allows chorus and orchestra to shine under Renato Palumbo, and reminds us why the work has been called “opera in church clothing”.

A lacklustre season opening at Teatro Real proves once again the elusive nature of Verdi's masterpiece.

Verdi's most political opera feels particularly relevant in 2016, and the Opera Australia production convinces, thanks to the outstanding George Petean in the title role and an excellent supporting cast.

Miklós Szinetár's production for Hungarian State Opera is easy on the eye, but perhaps a little too beautiful for its subject matter.

Plush costumes and lavish sets make up for shortfall in music and singing in Opera Australia’s La traviata. 

Routine took hold of the Teatro Real in its production of La traviata, despite baritone Juan Jesús Rodríguez's best efforts.

For his first collaboration with the Dutch National Opera, Australian director Benedict Andrews emphasizes the modernity of Puccini’s most popular opera.

Leo Muscato's new production of Rigoletto was the first in Rome since conductor Riccardo Muti resigned in September, denouncing a lack of "serenity". 

Rigoletto contains some of Verdi’s greatest melodies, and Opera Australia’s new production brings out the mixture of passion and darkness the heart of this story.

In our youth, my brother and I adored Cecil B. DeMille’s epic film The Ten Commandments. Not only did we like the well-written and brilliant take on the beloved biblical story of Moses, but we were also fascinated by the lavish sets and historical aspects of the film.