En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Bradley Smith

Bradley Smith, as Evangelist, and a fine cast of soloists drove this Good Friday account of Bach’s St Matthew Passion from Ex Cathedra in Birmingham.

Bampton’s “mission to rescue unjustly neglected classical period opera” is vindicated once again with a fresh, fun account of the near-lost original source for Rossini's La Cenerentola: Isouard's Cendrillon. 

An intimate setting for the 18th-century work do from hell.

A period-perfect Albert Herring from Francis Matthews for Buxton International Festival takes time to settle into its stride, but provides plenty of laughs along the way. 

A probing, exultant and musically tireless performance from The English COncert.

In einer konzertanten Aufführung hat sich The English Concert unter der Leitung von Harry Bicket in der Elbphilharmonie der Händeloper gewidmet und bot mit einem Sänger-Ensemble eine rasante und gefühlsbetonte Barockoper der Spitzenklasse.

Does the devil get the best tunes? Nick Shadow steals the show in the Royal Academy's production of The Rake's Progress.

Oliver Rudland's new opera based on Golding's novel Pincher Martin, receives its première at the Royal College of Music.

Drawing a line of suffering from ancient Rome to Golgotha to the concentration camps, Britten’s blank postcard from Belsen strikes to the heart of humanity. The Rape of Lucretia is brilliantly realised by the Royal Academy of Music.