En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Alun Rhys-Jenkins

Voici 13 des 13 critiques

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Andrés Presno (Cavaradossi) and Natalya Romaniw (Tosca) © Dafydd Owen

A magnificent Tosca from Welsh National Opera at the Mayflower

Par David Truslove, 03 octobre 2025

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw.

*****

Plus d'infos

*****

Southampton

03 oct. 2025

A magnificent Tosca from Welsh National Opera at the Mayflower

Par David Truslove

Mark Le Brocq (Gustav von Aschenbach) and Antony César (Tadzio) © Johan Persson

Cardiff

Welsh National Opera stages Death in Venice for the first time... and it’s a triumph

Par Mark Valencia, 07 mars 2024

Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.

*****

Plus d'infos

*****

Cardiff

07 mars 2024

WNO stages Death in Venice for the first time and it’s a triumph

Par Mark Valencia

Jaquelina Livieri (Margarita Xirgu) and Hanna Hipp (Lorca) © Johan Persson

Cardiff

Osvaldo Golijov's Ainadamar revived by Welsh National Opera for its 2023 tour

Par Mark Valencia, 09 septembre 2023

Deborah Colker's production, seen last season at Scottish Opera, moves to the Wales Millennium Centre for an autumn tour.

****1

Plus d'infos

****1

Cardiff

09 sept. 2023

Osvaldo Golijov's Ainadamar revived by WNO for its 2023 tour

Par Mark Valencia

Julia Sitkovetsky (Queen of the Night) © Craig Fuller

Birmingham

WNO’s abstract Magic Flute proves more contemporary than cohesive

Par Robert Gainer, 03 mai 2023

WNO delivers a well-performed production of Mozart’s Magic Flute with some fresh ideas, but other which dilute it.

***11

Plus d'infos

***11

Birmingham

03 mai 2023

WNO’s abstract Magic Flute proves more contemporary than cohesive

Par Robert Gainer

Londres

Flogging a dead horse: a new Salome at English National Opera

Par Dominic Lowe, 28 septembre 2018

ENO's new production of Salome which opens the season features some commendable music-making, but is let down by a flawed concept and dull staging.

**111

Plus d'infos

**111

Londres

28 sept. 2018

Flogging a dead horse: a new Salome at English National Opera

Par Dominic Lowe

Glyndebourne

Seriously funny, musically transcendent: Glyndebourne's Rosenkavalier

Par David Karlin, 20 mai 2018

Strauss' mix of bedroom farce, comedy of manners and bittersweet musing about aging is acted and sung superbly in this revival of Richard Jones' production.

*****

Plus d'infos

*****

Glyndebourne

20 mai 2018

Seriously funny: Glyndebourne's Rosenkavalier

Par David Karlin

Cardiff

Wheel of Fortune: Preziosilla spins Pountney's Force of Destiny

Par Mark Pullinger, 02 février 2018

When the entire plot is triggered by a freak accident, you can't blame director David Pountney for making Fate itself one of the key characters.

****1

Plus d'infos

****1

Cardiff

02 févr. 2018

Wheel of Fortune: Preziosilla spins Pountney's Force of Destiny

Par Mark Pullinger

High Wycombe

Le nozze di Figaro at Garsington

Par Katherine Cooper, 04 juin 2017

A slick production from the Garsington Opera Company, who use the location of the Wormley Estate to their full advantage.

****1

Plus d'infos

****1

High Wycombe

04 juin 2017

Le nozze di Figaro at Garsington

Par Katherine Cooper

Glyndebourne

Downtown Nagasaki comes to Glyndebourne in Annilese Miskimmon's Madama Butterfly

Par Mark Pullinger, 14 octobre 2016

How picturesque do you like your Puccini? Do you take your Turandot sweet or sour? How much lacquer is layered over your ideal Madama Butterfly?

***11

Plus d'infos

***11

Glyndebourne

14 oct. 2016

Downtown Nagasaki comes to Glyndebourne

Par Mark Pullinger

Londres

Flawed casting in Minghella's widescreen Butterfly at ENO

Par Mark Pullinger, 16 mai 2016

The sheer opulence of Minghella's staging often overwhelms, drenched in colour. Is that enough to really get to the core of the drama though, or is it all surface gloss?

***11

Plus d'infos

***11

Londres

16 mai 2016

Flawed casting in Minghella's widescreen Butterfly

Par Mark Pullinger

Londres

An atmosphere filled with dust and testosterone: Bieito’s Carmen returns to ENO

Par Mark Pullinger, 20 mai 2015

Calixto Bieito updates the Carmen to the final years of Franco’s dictatorship and in Joan Anton Rechi’s revival, the results are often gritty and fierce, if unlikely to do anything for the Spanish tourist trade.

***11

Plus d'infos

***11

Londres

20 mai 2015

Carmen: An atmosphere filled with dust and testosterone

Par Mark Pullinger

Londres

A fabulous Figaro from Fiona Shaw for English National Opera

Par Charlotte Valori, 16 octobre 2014

Full of physical comedy, joyous and enthusiastic, Fiona Shaw's vision of Mozart's The Marriage of Figaro makes the most of its taut and energetic plotlines, intense charactisation and beautifully balanced music.

****1

Plus d'infos

****1

Londres

16 oct. 2014

A fabulous Figaro at ENO

Par Charlotte Valori

Londres

ENO's Madam Butterfly is once again a must-see

Par Julia Savage, 14 octobre 2013

To describe this revival of Puccini's much-loved Madam Butterfly as a visual spectacle would be to do it a disservice. Originally directed by Anthony Minghella in its first outing in 2005, it is one of ENO's greatest success stories.

****1

Plus d'infos

****1

Londres

14 oct. 2013

English National Opera: Madam Butterfly

Par Julia Savage