En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Matthew Hargreaves

West Green House Opera opened its season with a cast of rising stars and veterans in an simple, but elegant production of Verdi's classic La traviata.

Swanhunter is a fine retelling of a wonderful yarn, and this rendering of it contains a great deal to enjoy for an audience of all ages, albeit marred by inconsistent intelligibity.

Two years ago, when this controversial production by Peter Konwitschny was first seen at English National Opera, I was completely knocked sideways by it. Could it deliver the same emotional blow to the solar plexus this time around?

Capitalising on their success with Verdi’s opera Rigoletto during the Aix-en-Provence Festival in the summer, the London Symphony Orchestra and conductor Gianandrea Noseda chose to open the 2013/14 season last night with the same work.

For many people, to repeat a commonplace, opera is about those "wow" moments, the times when music, voice and staging come together to lift you onto a different plane. In ENO's Tosca last night, a "wow" moment happened more or less whenever Gwyn Hughes Jones opened his mouth: his Cavaradossi had total heroism, total artistry and effortless, silk-smooth phrasing.