En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Itzik Galili

Dirigée depuis 2011 par le danseur et chorégraphe José Martinez, la Compagnie Nationale de Danse d’Espagne se produit cet hiver au Théâtre des Champs Elysées. Un triptyque d’œuvres haut en intensité qui nous donne l’occasion de découvrir un répertoire créatif et des interprètes d’une grande maîtrise.

A shimmering smorgasbord of some of today’s most exciting international dancers, who performed pristine works by Petipa.

A very mixed set of filmed solos themed around The Dying Swan, although this link was often tenuous.

The Joffrey Ballet presents a roster of choreographers with new approaches, a positive impression for the future of ballet. 

Drei Werke von Akram Khan, Johan Inger und Itzik Galili schaffen einen atemberaubenden Abend.

Por vos muero tiene más de veinte años, pero no ha envejecido porque lo bueno nunca sufre los avatares del tiempo.

Tcherniakov's moving production delves into the psychological rather than revelling in the spectacular. 

Les Ballets Jazz de Montréal is a company that embraces individuality and is at its best when the dancers are all on stage together.

Ninety years since it was founded, Rambert continues to bring varied and challenging dance styles to Sadler's Wells.

In the Dutch premier of his ballet “Man of The Hour”, Israeli choreographer Itzik Galili shares his vision of a modern, energetic, but issue-ridden Israel, his country of origin. 

Phoenix Dance Theatre is an intriguing mix of international and, at the same time, Leeds-based contemporary dance company. It's triple bill at the Linbury Studio proved worthwhile. 

Ballett Zürich’s Junior Ballet, fifteen members strong from ten different nations, recently wowed an enthusiastic audience with a varied programme of five modern choreographers’ works.

Dance GB is a collaboration between the UK's three national dance companies, Scottish Ballet, National Dance Company Wales, and English National Ballet.

Danza Contemporánea de Cuba returned to Sadler’s Wells with a splash of colour and a burst of energy in a triple bill that was physical, sharp and flirty. Unfortunately I missed the first work performed, Itzik Galili’s Sombrisa, but the night was not a loss.