En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Marco Caria

This revival of a 2012 staging by Ferzan Ozpetek tells the story efficiently, while conductor Nello Santi only at times made us experience all the emotional depths this opera contains.

Deutsche Oper Berlin’s 1980 production of Donizetti’s romantic tragedy gets a new life with a pair of young singers who valiantly and elegantly sang the doomed lovers.

In the opening night of Teatro Real's new season, Mariella Devia proved why she is one of the best bel canto singers of the last decades.

This dark production of La traviata may have obscured some of the more romantic elements of Verdi’s drama, but the music had all of the vitality to match La Fenice's sparkle.

Nicht alles ist makellos, doch trotz aller Schwächen war dies ein unvergesslicher Abend, und Edita Gruberovà behauptet wieder einmal ihren Platz in den Herzen der Wiener.

This production of Puccini’s masterpiece was delivered on a monochromatic set, with  a director-centred staging of the story of love and despair of Cio-Cio San.

Gaetano Donizetti’s Lucia di Lammermoor is a coloratura soprano vehicle and this season’s Dutch National Opera production felicitously starred Jessica Pratt, an internationally celebrated Lucia and a favourite of the Italian public.

In the bicentenary anniversary of Giuseppe Verdi, tributes are aplenty. On Saturday evening, Los Angeles Opera presented a new production of the Italian master’s final work, Falstaff, though that wasn’t all.

Love and death are the two basic ingredients of the standard opera plot, and the more tragedy involved from the first to the last, the more likely it is to spur composers to set it to magnificent music. Andrea Chénier is a textbook example of this although it is not anywhere near as popular as La traviata, Carmen or La bohème, and explicably so.