En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | František Zahradníček

Puccini's classic takes on a harsh contemporary edge in a dark treatment by director Sláva Daubnerová at Prague's National Theatre. 

A chilly reception for director Kay Link's fresh take on a mythical Czech heroine mars an otherwise superb performance.

Directors Martin Kukučka and Lukáš Trpišovský, who work together as SKUTR, take on Dvořák’s Rusalka with a surfeit of ideas. 

Aided by spirited singers and enthusiastic musicians, director Ondřej Havelka brings an imaginative, ironic touch to a lesser-known Smetana opera.

Shostakovich's murderess comes to terrifying life in Martin Čičvák's smart, sensational production for the Prague State Opera. 

Armida offers a compelling story, resonant issues and the spectacle of dueling wizards – but unfortunately, not in this production.

The National Theater revives Jaromír Weinberger opera Schwanda the Bagpiper with energy, affection and overly active imagination.

Powerful visuals can't compensate for an otherwise empty production of Janáček’s gripping tragedy.

Slovak director Zuzana Gilhuus' serendipitous production could hardly be more timely.

A colorful, light-hearted approach captures the spirit of Prokofiev's LʼAmour des trois oranges.

Smetana's Libuše makes a timely reappearance in Prague.

Tradition and modernity are a mismatch in this uneven production of Mozart’s comic masterpiece.

In a delirious opening to the new opera season, Prague's National Theatre puts a contemporary spin on Carl Orff and the Brothers Grimm.

Whilst the spirit of Mozart permeates the Estates Theatre in Prague, it was sadly absent in both the staging and singing of his “work of uninterrupted perfection”.  

Making his operatic debut at Prague's National Theatre, director Daniel Špinar recasts Janáček’s From the House of the Dead as a schizophrenic prison comedy.

Despite some staging problems, a Czech rarity gives the National Theater's new opera season a rousing start, with a vibrant score beautifully realized by conductor John Fiore.

With a production in a style with which I was not at all familiar and which I found very true to the work's spirit, this Rusalka at the Czech National Theatre in Prague was a memorable evening's opera.

Seeing Don Giovanni at the Estates Theatre in Prague is a special occasion, for two reasons. Firstly, for the history: it’s the theatre where the opera was first performed, back in 1787. Secondly, because today’s Estates Theatre is one of the loveliest opera houses you will find anywhere. Seating just 643, it’s an intimate space, in the classic horseshoe parterre-plus-boxes configuration.