En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Richard Paul Fink

The production is a disconcerting combination of cold metallic future and Neanderthal aesthetics – a startling pairing of humanity’s beginning and its end. 

Kapstadt wagt den lohnenden Blick über den Tellerrand des Belcanto und zeigt eine Salome von begeisternder gesanglicher Leistung.

Antonín Dvořák’s Rusalka, moving between the worlds and rooted in myth, is a shivering opera to experience with its opulent music and its fantastical plot. 

A righteous, politically-relevant but musically questionable world premiere of Philip Glass' revised Appomattox.

Sir Simon Rattle concludes the Ring Cycle in Vienna with a detailed and intricate reading of the opera with an excellent cast.

The evening clearly belonged to Stephen Gould’s Siegfried and Sir Simon Rattle and Vienna Orchestra.

Vienna Staatsoper revived Wagner's Ring Cycle with a splendid orchestral performance of Das Rheingold led by Sir Simon Rattle.

Wagner famously idealized the concept of the “Gesamtkunstwerk”, a total work of art that incorporates many artistic media into a single piece. He would have appreciated Seattle Opera’s production of Götterdämmerung.

Seattle Opera’s Siegfried takes place in familiar territory. Mime lives in the part of the forest where the gods roamed in Das Rheingold, and the dragon has made its lair where Hunding and Siegmund fought in Die Walküre (there’s even a bloodstain on the rock, which the Wanderer touches regretfully).

Read our review of Peter Sellars' production of Nixon in China by John Adams, in its 2011 broadcast from the Met Opera in New York.

Read our review of Penny Woolcock's production of Doctor Atomic by John Adams, in its 2008 broadcast from the Met Opera in New York.